The nature of these pieces and the circumstances of their creation lead to the desire for a more radical, visceral surface treatment in the form of alternative firings. The decision to Raku and Soda fire these pieces allows textures and colors that are just as varied and intense as the moments they sought to capture in the forms, and just as unfamiliar as this type of collaboration is to them both. Raku is an ancient form of firing in which the pieces are removed from the kiln at peak, glowing temperature and dropped into buckets full of combustible materials, leading to drastic color shifts and textures uncommon to other forms of firing. Soda firing, on the other hand, is a more modern form of firing in which a kiln is fired to a much hotter temperature, and soda ash and baking soda are sprayed into the kiln, creating a volatile atmosphere of glaze that strikes pieces along the path of the flame. The difference in these firings is much like the dichotomy of their collaboration, the combination of figurative and abstract, modern and ancient, narrative and momentary.